Latin American Art at The Museum of Modern Art. The Power of the Canon

This book sheds light on an as-yet unstudied aspect of The Museum of Modern Art’s (MoMA) preeminent role in establishing the definition of the problematic term “Latin American art” in the United States from the 1930s to the present through its collection displays. In examining the shifting categorization of Latin American works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum’s collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today. The MoMA is widely recognized as the preeminent institution that defined 20th-century art through its collection – shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA’s holdings of art from Latin America shed light on a key period when the stylistic categories that have since come to be accepted by many today as the Modernist canon developed. MoMA’s collection displays suggest ways in which artists from areas of the world formerly excluded can be…

Издательство

Taylor & Francis

Год

2025

Страниц

235

Язык

английский

ISBN

9781135014520